Now as sumptuously packaged as they are critically acclaimed―a new deluxe trade paperback edition of the beloved stories.
The stories of The Arabian Nights (and stories within stories, and stories within stories within stories) are famously told by the Princess Shahrazad, under the threat of death should the king lose interest in her tale. Collected over the centuries from India, Persia, and Arabia, and ranging from adventure fantasies, vivacious erotica, and animal fables, to pointed Sufi tales, these stories provided the daily entertainment of the medieval Islamic world at the height of its glory. No one knows exactly when a given story originated, and many circulated orally for centuries before being written down; but in the process of telling and retelling, they were modified to reflect the general life and customs of the Arab society that adapted them―a distinctive synthesis that marks the cultural and artistic history of Islam.This translation is of the complete text of the Mahdi edition, the definitive Arabic edition of a fourteenth-century Syrian manuscript, which is the oldest surviving version of the tales and considered to be the most authentic.
Madeleine L’Engle’s ground-breaking science fiction and fantasy classic, now a major motion picture. This audiobook includes an introduction read by the film director Ava DuVernay, a foreword read by the author, and an afterword read by Madeleine L’Engle’s granddaughter Charlotte Jones Voiklis.
Meg Murray, her little brother Charles Wallace, and their mother are having a midnight snack on a dark and stormy night when an unearthly stranger appears at their door. He claims to have been blown off course, and goes on to tell them that there is such a thing as a “tesseract”, which, if you didn’t know, is a wrinkle in time. Meg’s father had been experimenting with time-travel when he suddenly disappeared. Will Meg, Charles Wallace, and their friend Calvin outwit the forces of evil as they search through space for their father?
In 1962, Madeleine L’Engle debuted her novel A Wrinkle in Time, which would go on to win the 1963 Newbery Medal. Bridging science and fantasy, darkness and light, fear and friendship, the story became a classic of children’s literature and is beloved around the world.
A Wrinkle in Time is the first book in The Time Quintet, which consists of A Wrinkle in Time, A Wind in the Door, A Swiftly Tilting Planet, Many Waters, and An Acceptable Time.
Howl’s Moving Castle
Atonement, Ian McEwan
A magnificent deception. Briony Tallis, the intricate English girl at the center of Atonement, is a budding writer. At the age of 13 she believes that through her powers of invention and language, “an unruly world could be made just so.” In a complicated way, she turns out to be right, but only after she turns out to be catastrophically wrong. In the first half of the book, she passionately misunderstands a series of events she witnesses on a summer day in 1935, which leads her to formulate a lie that ruins the lives of her older sister Cecilia and Cecilia’s lover Robbie. So much for the virtues of the imagination. But McEwan is crafty. Even as he shows us the deadly force of storytelling, he demonstrates its beguilements on every page. Then he leads us to a surprise ending in which the power of fiction, which has been used to undo lives, is used again to make heartbroken amends.
One Flew Over the Cuckoo’s Nest, Ken Kesey
When Kesey decided to take on the hypocrisy, cruelty and enforced conformity of modern life, he dug into his own experiences as a test subject in a mental hospital. In Cuckoo’s Nest the irrepressible inmate Randle McMurphy does battle with the icy, power-mad Nurse Ratched to liberate, or at least breathe a little life into, the crushed and cowed patients she lords it over, while the book’s stonily silent narrator Chief Bromden looks on. Both an allegory of individualism and a heart-tearing psychological drama, One Flew Over the Cuckoo’s Nest manages to be uplifting without giving an inch to the seductions of sentimentality.
The French Lieutenant’s Woman, John Fowles
A magnificent game of a novel, one in which the brilliant postmodern contrivances actually add to the poignancy of its anguished Victorian characters. Charles Smithson is an amateur paleontologist living on the southwestern coast of England. Ernestina is his drearily upright fiancee. Sarah Woodruff is an enigmatic local governess, said to be pining for a French soldier who has misused her. The fourth major figure in this book is not a character but the author. By no means all-powerful, he discovers early on that he has lost control of his characters and proposes in that case to let them have their freedom. And he means it. The story procedes through alternative episodes — in one Charles marries Ernestina; in another he doesn’t — and multiple endings, with the author sometimes turning up to walk among his characters and comment tartly on their actions. In its final pages — don’t dare to call them a conclusion; in a book so open-ended, what could that word mean? — he opens a vista onto freedom that’s both dazzling and devastating.
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